Start lowering the threshold until you see some pretty substantial gain reduction (around 5 dB or more). It isn’t uncommon to see mixers go up to 10:1 or more to crush that dynamic range to keep it solid and consistent. Remember, we’re really trying to squash the bass, so heavier ratios are usually recommended.
You’ll want your attack slowish at somewhere around 100 ms, and your release super fast at 1 ms.
First, set the ratio, attack, and release.Ī ratio of 5:1 is fairly aggressive and will hit pretty hard in most instances. Your DAW’s stock compressor works great too! For what it’s worth, the LA-2A removes some of the guesswork with its basic control layout and can generate some great results. Lots of folks like using the tried-and-true 1176 or LA-2A in any of its various emulations. Other ‘lighter’ genres like jazz, folk, bluegrass, or acoustic singer-songwriter stuff doesn’t need as much containment.įinally, which compressor you decide to use it totally up to you. EDM, rap/hip-hop, pop, metal, or any genre with insane amounts of low-end requires more compression. Typically you’ll want different amounts of gain reduction depending on the genre. We’re going to make the assumption that you already know how to use a compressor, and are simply looking to refine your low-end technique for better all-around mixes. Squashing a bass track with heavy compression creates consistency in the low-end that we want. In contrast to compressing other instruments, we actually want very little dynamic range on bass. This is to keep low-end energy constant throughout the song. The idea behind bass compression is to reduce the dynamic range of a performance. Using these tips as a guideline, you’ll be able to craft a stronger low-end mix that’ll give your music energy and life! What’s the deal with bass compression? Solid bass compression technique is undoubtedly the difference between a rich, thick bass with awesome attack or, one that’s the complete opposite of that! Unfortunately, low-end is pretty unforgiving in that there isn’t much in-between.
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